Matt Catingub
Multi-talented musician Matt Catingub wears many hats: Saxophonist,Woodwind Artist, Conductor, Pianist, Vocalist, Performer, Composer, andArranger.
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Tuesday, 29 June 2010
Wednesday, 23 June 2010
JERRY DONAHUE
Jerry Donahue (born September 24, 1946, Manhattan, New York City) is an American guitarist and producer primarily known for his work in the British folk rock scene as a member of Fotheringay and Fairport Convention as well as being a member of the rock guitar trio Hellecasters.
Jerry Donahue + Don Morter
Jerry Donahue + Don Morter
Tuesday, 22 June 2010
The Mississipi Mass Choir
Mississippi Mass Choir
Background information
Origin Jackson, Mississippi
Genres Gospel music
Years active 1988 - present
The Mississippi Mass Choir is an American gospel choir based in Jackson, Mississippi.
Musical career
Under the musical direction of David R. Curry Jr., and under the choir direction of Dorcus Curry Thigpen, the 250+-member choir developed a sound that made them a constant presence on Billboard's gospel charts. Each of their recordings have reached the top position on the charts. [citation needed] Their debut album, Live, recorded during a 1988 performance at the Jackson Municipal Auditorium, remained on the charts for 45 weeks and earned the group James Cleveland GMWA awards as Contemporary Choir of the Year and Best New Traditional Artist of the Year. [citation needed]
Their second album, God Gets the Glory, reached number one two weeks after it was released in 1990. [citation needed] The Mississippi Mass Choir's most successful album, It Remains to Be Seen, topped the charts for 12 months and received a Soul Train music award as best gospel album of 1993.[1] The album was the choir's last with founder Frank D. Williams, a member of the Jackson Southernaires and an executive in the gospel music division of the Malaco record label. Determined to bring together the best gospel voices in Mississippi, Williams had convinced Jerry Mannery, the head of Malaco's gospel division, to sign the choir to a record deal and serve as executive director.
With three albums released since Williams' passing, I'll See You in Rapture, Praise the Lord, and Emmanuel (God With Us), the Mississippi Mass Choir continues to dedicate itself to its self-described mission of "serving God through song."
The Mississippi Mass Choir is now featured in the popular Mississippi, Believe It! campaign.[2]
Background information
Origin Jackson, Mississippi
Genres Gospel music
Years active 1988 - present
The Mississippi Mass Choir is an American gospel choir based in Jackson, Mississippi.
Musical career
Under the musical direction of David R. Curry Jr., and under the choir direction of Dorcus Curry Thigpen, the 250+-member choir developed a sound that made them a constant presence on Billboard's gospel charts. Each of their recordings have reached the top position on the charts. [citation needed] Their debut album, Live, recorded during a 1988 performance at the Jackson Municipal Auditorium, remained on the charts for 45 weeks and earned the group James Cleveland GMWA awards as Contemporary Choir of the Year and Best New Traditional Artist of the Year. [citation needed]
Their second album, God Gets the Glory, reached number one two weeks after it was released in 1990. [citation needed] The Mississippi Mass Choir's most successful album, It Remains to Be Seen, topped the charts for 12 months and received a Soul Train music award as best gospel album of 1993.[1] The album was the choir's last with founder Frank D. Williams, a member of the Jackson Southernaires and an executive in the gospel music division of the Malaco record label. Determined to bring together the best gospel voices in Mississippi, Williams had convinced Jerry Mannery, the head of Malaco's gospel division, to sign the choir to a record deal and serve as executive director.
With three albums released since Williams' passing, I'll See You in Rapture, Praise the Lord, and Emmanuel (God With Us), the Mississippi Mass Choir continues to dedicate itself to its self-described mission of "serving God through song."
The Mississippi Mass Choir is now featured in the popular Mississippi, Believe It! campaign.[2]
Thursday, 17 June 2010
The BSV Band
We play for free or for a voluntary contribution to band running costs. We are an AMATEUR band, so we make no promises, but we love the music and playing for people and liven up any event.
We regularly do school summer fetes, grove house hospice fund raising events, and our biggie is at the Alban Arena on 21 June 2010 – a private function arranged by the Council – Retailer Of The Year Award ceremony.
The next gig coming up are
Hatfield BBQ Bowls Club – 17 July
We regularly do school summer fetes, grove house hospice fund raising events, and our biggie is at the Alban Arena on 21 June 2010 – a private function arranged by the Council – Retailer Of The Year Award ceremony.
The next gig coming up are
Hatfield BBQ Bowls Club – 17 July
Tuesday, 8 June 2010
HELEN KANE
Early life
Born as Helen Clare Schroeder, Kane attended St. Anselm’s Parochial School in the Bronx. She was the youngest of three children. Her father, Louis Schroeder, the son of a German immigrant, was employed intermittently; her Irish immigrant mother, Ellen (Dixon) Schroeder, worked in a laundry.[4]
Kane's mother reluctantly paid $3 for her daughter's costume as a queen in Kane's first theatrical role at school. By the time she was 15 years, Kane was onstage professionally, touring the Orpheum Circuit with the Marx Brothers in On the Balcony.[5]
She spent the early 1920s trouping in vaudeville as a singer and kickline dancer with a theater engagement called the 'All Jazz Revue.' She played the New York Palace for the first time in 1921. Her Broadway days started there as well with the Stars of the Future (1922-24, and a brief revival in early 1927). She also sang onstage with an early singing trio, the Hamilton Sisters and Fordyce, later known as The Three X Sisters.
Kane's roommate in the early 1920's was Jessie Fordyce. The singing trio act might have become the Hamilton Sisters and Schroeder, however Pearl Hamilton chose Fordyce to tour as a trio act "just to see what happens" at the end of the theatrical season.
[edit]Music
Kane's career break came in 1927, when she appeared in a musical called A Night in Spain. It ran from May 3, 1927 through Nov 12, 1927 for a total of 174 performances, at the 44th Street Theatre in NYC. Subsequently, Paul Ash, a band conductor, put her name forward for a performance at New York's Paramount Theater).
Kane's first performance at the Paramount Theater in Times Square proved to be her career's launching point. She was singing "That's My Weakness Now", when she interpolated the scat lyrics “boop-boop-a-doop.” This resonated with the flapper culture, and four days later, Helen Kane’s name went up in lights.
Oscar Hammerstein’s 1928 show Good Boy, was where she first introduced the hit, "I Wanna Be Loved by You" . Then it was back to the Palace, as a headliner for $5,000 a week. She rejoined her friends from vaudeville, The Three X Sisters (formerly The Hamilton Sisters and Fordyce) for one night. In a 1935 live stage performance, she harmonized with their unique banter to a novelty tune, "The Preacher and the Bear".
Kane had excellent diction, intonation and timing, learned during her apprenticeship in vaudeville. Her songs have a strong word focus, and capitalize on her coquettish voice. She blended several fashionable styles of the late 1920s. These included scat singing, a kind of vocal improvisation, and also blending singing and speech. Sprechgesang ("speech-song") was fashionable at this time in Germany's Weimar Republic in both nightclubs and in serious music.
Kane recorded 22 songs between 1928 and 1930. After 1930 and up to 1951, she recorded only five more, including a re-release of "I Wanna Be Loved by You"[6]
[edit]Cult following
As she took on the status of a singing sensation, there were Helen Kane dolls and Helen Kane look-alike contests, appearances on radio and in nightclubs. This cult following reached its peak in late 1928 and stayed there until early 1929.
Kane's height (only 5 feet tall) and slightly plump figure attracted attention and fans. Her round face with big brown eyes was topped by black, curly hair; her voice was a baby squeak with a distinct Bronx dialect.
Born as Helen Clare Schroeder, Kane attended St. Anselm’s Parochial School in the Bronx. She was the youngest of three children. Her father, Louis Schroeder, the son of a German immigrant, was employed intermittently; her Irish immigrant mother, Ellen (Dixon) Schroeder, worked in a laundry.[4]
Kane's mother reluctantly paid $3 for her daughter's costume as a queen in Kane's first theatrical role at school. By the time she was 15 years, Kane was onstage professionally, touring the Orpheum Circuit with the Marx Brothers in On the Balcony.[5]
She spent the early 1920s trouping in vaudeville as a singer and kickline dancer with a theater engagement called the 'All Jazz Revue.' She played the New York Palace for the first time in 1921. Her Broadway days started there as well with the Stars of the Future (1922-24, and a brief revival in early 1927). She also sang onstage with an early singing trio, the Hamilton Sisters and Fordyce, later known as The Three X Sisters.
Kane's roommate in the early 1920's was Jessie Fordyce. The singing trio act might have become the Hamilton Sisters and Schroeder, however Pearl Hamilton chose Fordyce to tour as a trio act "just to see what happens" at the end of the theatrical season.
[edit]Music
Kane's career break came in 1927, when she appeared in a musical called A Night in Spain. It ran from May 3, 1927 through Nov 12, 1927 for a total of 174 performances, at the 44th Street Theatre in NYC. Subsequently, Paul Ash, a band conductor, put her name forward for a performance at New York's Paramount Theater).
Kane's first performance at the Paramount Theater in Times Square proved to be her career's launching point. She was singing "That's My Weakness Now", when she interpolated the scat lyrics “boop-boop-a-doop.” This resonated with the flapper culture, and four days later, Helen Kane’s name went up in lights.
Oscar Hammerstein’s 1928 show Good Boy, was where she first introduced the hit, "I Wanna Be Loved by You" . Then it was back to the Palace, as a headliner for $5,000 a week. She rejoined her friends from vaudeville, The Three X Sisters (formerly The Hamilton Sisters and Fordyce) for one night. In a 1935 live stage performance, she harmonized with their unique banter to a novelty tune, "The Preacher and the Bear".
Kane had excellent diction, intonation and timing, learned during her apprenticeship in vaudeville. Her songs have a strong word focus, and capitalize on her coquettish voice. She blended several fashionable styles of the late 1920s. These included scat singing, a kind of vocal improvisation, and also blending singing and speech. Sprechgesang ("speech-song") was fashionable at this time in Germany's Weimar Republic in both nightclubs and in serious music.
Kane recorded 22 songs between 1928 and 1930. After 1930 and up to 1951, she recorded only five more, including a re-release of "I Wanna Be Loved by You"[6]
[edit]Cult following
As she took on the status of a singing sensation, there were Helen Kane dolls and Helen Kane look-alike contests, appearances on radio and in nightclubs. This cult following reached its peak in late 1928 and stayed there until early 1929.
Kane's height (only 5 feet tall) and slightly plump figure attracted attention and fans. Her round face with big brown eyes was topped by black, curly hair; her voice was a baby squeak with a distinct Bronx dialect.
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